Harvey Hall Overhaul
95-year-old Stout theater gets a deserved remodel
Stout’s headquarters for the College of Arts, Humanities, and Social Sciences, Harvey Hall, is also the home to the Harvey Hall Theatre. Over the past fall and winter the theater and surrounding lobby have undergone a $5.6 million renovation, making any productions for the past year impossible. Now, the Harvey Hall Theatre will celebrate a new era with a grand reopening production of Chicago.
Originally known as the Stout Institute Auditorium, the theater opened on May 30, 1916 to musical selections from a chorus of a hundred voices and an address from then President Lorenzo Dow Harvey. Now, 95 years later, the theater has been rewarded for its diligent service to the university and community with a makeover.
Tidbits About Harvey Hall
• Named for Lorenzo Dow Harvey, who devoted his life to education and was state superintendent of public instruction, president of the National Education Association, head of the Stout Manual Training School, and Menomonie’s superintendent.
• On Feb. 26, 1960, when future President John F. Kennedy spoke in the theater and met with students and administrators.
• Baroness Maria Von Trapp and eight of her children once graced the stage as well as the Vienna Boys Choir and Helen Keller.
• In 1972, presidential candidate George McGovern was scheduled to speak in the theater, but a bomb scare forced the speech to be moved.
The multi-million dollar project has been more than two years in the making, and Theater Director Paul Calenberg has been involved every step of the way. “It’s every director’s dream to (help) design their own theater,” Calenberg said. And a re-design was badly needed. The theater had gone through partial renovations before, but was never handled by contractors who really knew “theater” architecturally. “There were literally places where walls were crumbling,” he added. This time around only companies with specific knowledge of theater construction worked on the project, and it shows.
The new theater is beautiful with spacious and comfortable seating, warm coloring, and amazing views. Saving what they could for vintage lighting, the house is lit softly, but well. Brand new seating replaces the 70s style color schemes and even features a foldaway desktop for classes. The main drape is a beautiful deep red, in a fabric that is one of a kind. Even changes were made to the overall structure, such as shortening the balcony, which improved the acoustic properties of the space as well as the sight lines from individual seats. “Right now I think that the balcony has the best seats in the house,” Paul remarked. “So please, don’t be afraid of the balcony!”
Behind the scenes the cast and crew can benefit from the renovation, too. The scene shop previously sat at a level a few inches lower than the stage floor. This, as anyone involved in theater can attest, could be a huge safety issue when moving sets and actors to the stage. Now at the same height, the scene shop also boasts all new equipment and an elevator to load heavy equipment. A state-of-the-art sound and light system has been integrated, and is run from an impressive control booth in the rear of the house. Also added was a completely computerized fly system that allows just a single person to man all of the scenery pieces, which “fly” in and out of the production at any desired speed.
Below the stage, a twisted labyrinth of crooked hallways and cramped rooms now holds spacious twin dressing rooms. There is a large costume room and an adjacent workspace for fitting and making additional costumes. Also added was a large and comfortable green room complete with an entire wall of mirrors for dance rehearsals. Helpful when you’re producing a show centered on the 1920s Chicago jazz scene.
So how do you choose a show to commemorate such an amazing theater? Calenberg decided on Chicago for because of the show’s immense popularity thanks to the film version as well as the revival of the show on Broadway. A cast of 15 students alongside a crew of over 40 and an orchestra of 10 will be joined by professional actress Allison Tilsen-Kassabian, who will be reprising her role as Matron Mama Morton. Tilsen-Kassabian has toured nationally with Chicago for two years.
“I’m hoping it will bring a lot of people in to see what a great thing we have going here,” Calenberg said.
Harvey Hall Theatre Grand Reopening • April 1 • 3pm Chicago • April 1-2 and 6-9 • Harvey Hall, Stout campus • 7:30pm • $12 • 232-1122 • tickets uwstout.edu