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All Issues » Issue #112 » Cinema
October 23, 2008 Issue
Not a Fairytale Ending
mishaps delay promising 48-Hour Video Project
words by Trevor Kupfer
photography by Jesse Johnson
All of the groups that take part in Community Television’s annual 48-Hour Video Project certainly encounter problems, some of which affect the final product or prevent a group from completing it on time. And even though one of this year’s groups dealt with a car accident and the hospitalization of three stars during the two-day deadline, the dedicated cineastes still vow to finish their film.
“There’s always mishaps,” crewmember Stephanie Dee told me during their shoot, “like the one with ‘the killer bag’ we didn’t have a star until the last minute. I’m wondering what the major mishap will be this year.”
When I met them to observe the production, Stephanie was among a cast of 11 friends, many North High School graduates, who heard about the local contest and decided to give it a shot. Now one of them, director Amy Dee, studies film at UW-Madison. This would be their fourth project, “and we’ve done lots of other movies, ranging from pretty cool to really stupid,” Amy said.
“I’m really enjoying it,” first-timer and Cadott native Tyler Schug said. “It doesn’t feel so amateur with Amy in charge of it.”
The group was in the middle of the woods on an 80-acre farm near Fall Creek shooting an adaptation of the Japanese fairytale Tongue-Cut Sparrow, a period piece with elaborate costumes and make-up consistent with feudal Japan. It stars evil crow demons that capture a sparrow princess and cut out her tongue because she won’t stop screaming.
The evening prior they received a line of dialogue and prop to work into the script (this prevents cheating), both of which were “stick.” Many of them went to bed early that night to prepare for the 4am wake-up call to get into makeup and start shooting.
“We try to do all the shooting in one day and then editing gets really scary,” said Amy’s sister, Stephanie, who did the makeup.
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Amy Dee
10/23/08
That camera is not "gaudy." With video cameras,
the bigger they are, the more stable they are, and
the less motion sick your audience gets. Also,
that beast has far better picture and sound
quality than anything I've worked with, including
the fancy film cameras down here at school.
That camera, a generous loan from a friend,
brings professional production values to an
amateur production.