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Wednesday, May. 20th, 2015
Festivalgoers who bought tickets to the Eaux Claires Music & Arts Festival expecting to just enjoy the music from its impressive who’s-who lineup will get a lot more than they bargained for after witnessing all the crazy, calculated, experiential visual art installations and performances at the two-day fest.
The festival’s creative director Michael Brown – a production designer and longtime collaborator of Justin Vernon and Aaron Dessner (the festival’s curators) – is at the helm of the art endeavors which range from light installations and experimental audio, to endurance performance pieces, giant domes, and one-of-a-kind experiential performances from renowned artists from all over the world. (We first interviewed Michael Brown here.)
“We’re definitely trying to push and hopefully get people to understand that we ultimately want this to be an event, not just a music festival. A lot of people reference Eaux Claires as a music festival because that’s the vocabulary we all know right now. But it's an art festival at heart, and one that celebrates other forms or art. Not just music.” – Michael Brown, creative director, Eaux Claires
In a phone chat, Brown told me the emphasis on art and the experience of interacting with it is what’s going to make the festival unique.
“We’re not going to know if the experimentation works until after the festival,” Brown said. “But we're hoping people are willing to go on that experiment with us. Be open-minded and experience it as a whole.”
The underlying theme throughout all the art seems to be interaction, toying with the way typical music festivalgoers can be active participants in their own experience.
“We’re definitely trying to push and hopefully get people to understand that we ultimately want this to be an event, not just a music festival,” Brown said. “A lot of people reference Eaux Claires as a music festival because that’s the vocabulary we all know right now. That’s the easiest way for everyone to digest what it’s going to be in this first year. But it's an art festival at heart, and one that celebrates other forms or art. Not just music.”
But the curators want it to be much more than that. With interactive art being such a integral part of the whole festival, the art side is where Eaux Claires becomes an experience, becomes a community. The success or failure of the festival is in the hands of its curators.
“We’re making an event that’s going to challenge us as artists and challenge our group as artists. I hope that sense of direction carries through to the audience, because ultimately it's their participation with us that will make this special.”
– Michael Brown
“There’s inherent risk,” Brown said. “If we were to put on a festival that was completely 100 percent safe, and we know how everything is supposed to happen, inherently we’re going to be making a boring music festival that nobody wants to be a part of.”
For example, as you first enter the festival grounds, you’ll walk through a massive rainbow-colored yarn installation, courtesy of Minneapolis street artist HOTTEA (above), who’s known for splashing colored yarn in the form of words and shapes on light poles, sidewalks, and streets all over the Midwest.
As you continue, you might wander through the woods up to the St. Coix Village (that’s not a typo), a venue within a venue that will host multiple performance spaces including a larger performance tent and three geodesic domes that act as art installations inside the village.
Each part of the St. Coix village – pronounced “kwah” – takes its name from a section of the fictitious St Coix “river.” The performance tent is called The Dells, and it’ll host some of the more eclectic musical acts from the festival’s lineup. The Mouth, one of the domes, will house one-on-one performance art from Minneapolis hip-hop artist Astronautalis and Minneapolis visual artist Neal Perbix. The Channel, the second dome, is a partnership between brownshoesonly and Radioedit (Chicago visual artists) and Eau Claire-based pedal-makers Dwarfcraft Devices. The final dome, The Banks, is collaboration between Michael Brown and UW-Eau Claire where festivalgoers can experience a live performance by viewing artists through translucent video elements and closed audio transmission via wireless headsets in a 270-degree environment.
Last year, you might remember The National collaborated on a video piece with Icelandic performance artist Ragnar Kjartansson for “A Lot of Sorrow” – where The National performed their song “Sorrow” over and over for six hours at the MoMa’s PS1 performance space. This year, Eaux Claires – along with the New York-based Luhring Augustine Gallery – commissioned a new collaborative piece from Kjartansson, The National’s Aaron and Bryce Dessner, and Gyða and Kristín Anna Valtýsdóttir (formerly of the Icelandic band múm) to debut at the festival. It would be fair to expect some sort of amazing, endurance-based performance art from this crew.
Jon Mueller, of Volcano Choir, will be debuting his new album at the festival called INITIATION, but there won’t be any CDs or records or anything. Instead, the recordings will be presented at each venue with video projection and live dance, the idea being that each performance venue becomes its own non-reproducible media format.
Using the Minneapolis-based mobile app, LEAV, festivalgoers will be able to unlock different audio clips as they walk around the festival grounds to reveal different sounds and moments from Bryce Dessner’s classical album Music for Wood And Strings.
LEAV also helps expand the role of Michael Perry, the festival’s official narrator with geotagged audio, literally narrating your specific location within the festival grounds.
“If you’re on the Chippewa River, it’ll unlock audio that’s only available when you’re on the Chippewa River, and it’ll be a poem by Mike Perry about the Chippewa River,” Brown explained.
And if that’s not enough, Brown and Brooklyn artist Karl Jensen are creating sculptural light installations that re-think and manipulate the festival grounds and signage. There will literally be art everywhere you turn.
With such a stunning emphasis on experiential art, Eaux Claires is not only aiming to be filled with great music and beer-drinkin’ like all the other festivals, but it’s going to set itself apart as a transformative art experience from the second you set foot there.
“We’re making an event that’s going to challenge us as artists and challenge our group as artists,” Brown said. “I hope that sense of direction carries through to the audience, because ultimately it's their participation with us that will make this special.”
KARE 11 news out of the Twin Cities ran a whopping 6-minute story ("whopping" for a large market news program) last night on the Eaux Claires Music & Arts Festival, featuring a long interview with co-organizer Justin Vernon – and shorter segments with the festival's artistic director Michael Brown (who moved to Eau Claire from the East Coast) and Bob McCoy of the Eau Claire Chamber of Commerce. They've got plenty of shots from the festival grounds and around the city, including the downtown area and Racy's off Water Street. They spend a little time discussing the festival's economic impact on the area, which, when coupled with Country JAM and the new Blue Ox Bluegrass Festival, will be significant. Vernon even talks a bit about the next "cycle" of Bon Iver, which he says will be starting when the band comes back together at the festival (July 17 & 18).
Of Eaux Claires, Michael Brown says, "There's certain expectations when you play in larger cities, like L.A or New York. A part of the goal here is to take the pressure off and there's a sense of openness and artistic freedom that's specifically what you can do here."
The reporter, Julie Nelson, is even from Eau Claire, making for some delightful post-report banter betwixt the KARE 11 anchors. (And yes, she is incorrectly pronouncing "Eaux Claires." Just a smidge.)
Millions of years ago, glaciers receded from Wisconsin and left behind a lush, green pastureland. The glaciers probably didn’t know it, but their departure set the stage for Wisconsin to claim the mantle of cheesemaking mastery. Wisconsin Cheese has a legendary reputation around the world, but just how did Wisconsin actually become America’s Dairyland and how did fromage become our forte? Today we’re going to take a look at five people in Wisconsin history who pushed the envelope and helped to build Wisconsin’s cheese making heritage.
1. Anne Pickett – 1841, Jefferson County
Seven years before Wisconsin earned its statehood and just as the would-be state was experiencing an influx of immigrants, Ms. Anne Pickett opened the first cottage industry cheese factory operation in America by renting her neighbor's cows. While cheesemaking had been done prior, Ms. Pickett’s operation was the first to sell its cheese statewide. Nothing was cheddar than that.
2. John J. Smith – 1858, Sheboygan County
Over the following 17 years, little cheesemaking operations sprouted on street corners and in strip malls (if there had been strip malls) all over the state. One such fromagerie was owned by John Smith, who bought Wisconsin’s first industrial scale cheese vat. Smith was also the first to sell his cheese beyond Wisconsin’s borders. To be certain, it was nothing to cheese at.
3. Hiram Smith – 1859, Sheboygan County
John’s method was deemed unsatisfactory by critics and he abandoned the business after a year. His brother Hiram picked up where he left off, opening the first full-scale cheese factory operation. Hiram purchased milk from farmers in exchange for a percentage of the cheese rendered. Gouda job, Hiram Smith. You done gouda.
4. Chester Hazen – 1864, Ladoga
Perhaps no one pioneered cheese in Wisconsin quite like Chester Hazen, who built the first cheese factory that was unattached to a farm. Critics called it “Hazen’s Folly,” lampooning its plan to make cheese from milk of several different herds. One year later, Hazen proved them wrong and was churning out curds from over 300 cows.
By 1875, Sheboygan County alone had 45 cheese factories producing over two million pounds of cheese. By the turn of the century, this rose to over a hundred factories making over 8 million pounds. Wisconsin’s cheese supremacy had begun in earnest. It was the curd heard 'round the world.
5. Stephen Babcock – 1890, Madison
Stephen Babcock — a University of Wisconsin professor — developed the first milkfat test. This helped dairy farmers determine which cows were making the best milk for cheese, and the test is still in use to this day. He is also the namesake of my favorite ice cream shop in Madison. Since then, our state's cheese scene has been feta than ever.
Tuesday, May. 19th, 2015
Take solace cheeseheads. You may not have gotten last season’s Lombardi, but you do know how to spell it. Because it clearly needed to be done, Geoff Foster at the Wall Street Journal ranked the 32 teams of the NFL by grammar and spelling proficiency. The score was devised by taking 150 fan comments of 50 words or greater on the news section of each team’s NFL page and running them through Grammarly, an automated grammar and spellcheck service. Packers fans did great – rating 31st in worst spelling with only 5.1 mistakes per 100 words. This is considerably better than the NFL average of 9.9, and the worst offender (in more ways than one) in the league: the Washington Redskins with a whopping 16.5. Foster was sure to note that there is no correlation between an NFL team’s fans having clean copy and the team being better at football, but I’m just going to go ahead and call this another win for Pack.
Monday, May. 18th, 2015
Break out your wheels and head over to Lowes Creek Trail, mountain bikers. Singletracks – a blog and online discussion forum for mountain bike enthusiasts — has declared Lowes Creek Trail of Eau Claire the most popular mountain biking trail in Wisconsin. The site took an aggregate of its users quality rankings and favorite trails around the country to declare a most popular trail for each state. Singletracks describes Lowes Creek as being flat with a few log obstacles, hills, and creek crossings with plenty of opportunity for discovering new trails on repeat visits.
Friday, May. 15th, 2015
With his eye (and ear) for the comical elements of contemporary rural life, New York Times bestselling author Michael Perry has built a loyal audience with his popular memoirs Visiting Tom and Population 485. Now, for the first time, he turns to fiction with The Jesus Cow (released May 19), an affectionately skewed and big-hearted depiction of one miraculous bovine and the chaos it unleashes. “A wildly comic and deeply felt examination of faith, combining politics, scandal, farming, love, environmentalism and rural philosophy,” says Julie Schumacher, author of Dear Committee Member.
➜ Order The Jesus Cow online! Find the new novel right here.
➜ Join Perry in the Volume One Gallery on May 20 for a special reading and book signing for The Jesus Cow.
WHAT: Michael Perry's "The Jesus Cow" Reading & Signing
WHERE: The Volume One Gallery at the Local Store
205 N. Dewey Street, Eau Claire, Wis.
WHEN: Wednesday, May 20 • 7pm
Michel Perry’s newest book, The Jesus Cow, is his first adult novel and features a bachelor farmer named Harley Jackson. Harley lives in a northern Wisconsin village called Swivel, not too far north of the university town Clearwater (that’s right, Clearwater) and even closer to the small town of Boomler (that’s right, Boomler) ... Read More!
Tuesday, May. 12th, 2015
Our law books are full of old and bizarre ... laws. Some are so specific they make you wonder what exact thing happened to someone to make them decide a law should be passed so that no one ever did that thing again. Here's a collection of some unordinary ordinances Wisconsin still has on the books ... three real ones, a maybe, and one that's totally not for real.
1. It is finable for an “offensive” looking person to be on the streets of Milwaukee (True!)
Between the 1870s and 1970s many cities enacted laws sometimes called 'unsightly beggar' ordinances that prohibited people with disfigurements, diseases, or otherwise unwanted characteristics from being in public. This is definitely no longer enforced.
2. The government may not prohibit manually flushed urinals (True!)
Wisconsin statute 101.07 states that the government may not directly or indirectly prohibit manually flushed urinals. Also, it must take steps to promote their installation. Either someone in the state senate really likes manual urinals, or was probably scared to death by an automatic flushing one.
3. When two trains stop at an intersection, it is illegal for one train to proceed until the other has (Not Sure!)
Did you have to read this twice? I sure did. How does this even work? I just spent 20 minutes trying to diagram this on a whiteboard and I still don’t understand. Send help. (Despite this law appearing in many, many places around the web, I was unable to verify its actual existence.)
4. It is a Class A misdemeanor to wave a burning torch in the air (True!)
Statute 941.10 indicates that anyone who handles burning material in a highly negligent manner will be subject to prosecution. Specifically, in "...which the person should realize that a substantial and unreasonable risk of serious damage to another's property is created." Wave your torches responsibly, angry mobs.
5: It is illegal to cross from Minnesota to Wisconsin with a duck on your head (Myth!)
Now while it’s fun to think that at one point there must have been hordes of Minnesotans crossing the border with foul hats, there just isn’t any law preventing it. The best guess is that this urban legend-ish law stems from a very poor reading of an old Minnesota statute governing the interstate sale of a fabric known as duck cloth.
Monday, May. 11th, 2015
1. $4.5 Billion
That’s the value of all the property – residential, commercial, manufacturing, and personal – in the city of Eau Claire, according to a new report by City Assessor Al Andreo. That’s a $68 million increase from the previous year, which is good for both property owners (whose investments are growing) and the city (whose tax base is growing). However, the lingering effects of the Great Recession are still evident: The increase is still before the 20-year average increase.
2. $76.5 Million
The assessment levied on Gerber Products (aka Nestle), the city of Eau Claire’s largest taxpayer, as of January 2014. Gerber edged Mayo Clinic Health System ($73 million) and Oakwood Mall ($72.8 million) on the list of top taxpayers.
The average value of a commercial property in the city. There are about 1,300 such parcels in Eau Claire, ranging from big clinics to tiny corner stores. Altogether, commercial property in the city is worth nearly $1.2 billion.
That’s the average value of a single-family home in Eau Claire. That might not seem like much – it’s below the state average – but it adds up: With more than 15,000 such homes, their total value is more than $2.1 billion.
The median selling prices last year for a home in the Third Ward, one of the city’s older and more picturesque neighborhoods. According to the report, this is the highest median selling price of any neighborhood in town. The lowest median sale price was $92,000 on the city’s lower north side.
Thursday, May. 7th, 2015
If backers of the proposed Confluence Project in downtown Eau Claire want $15 million in state funding, it likely won’t come in the next state budget. On Thursday afternoon the state Legislature’s powerful Joint Finance Committee voted 12-4 along party lines to remove $15 million for the project that Gov. Scott Walker had written into the 2015-17 state budget. The committee’s Democratic minority proposed pursuing state bonds to fund the project instead, but that idea was rejected as well, WisPolitics.com reported.
Majority Republicans on the committee argued that the state’s limited resources should be prioritized toward K-12 education, not the Confluence Project, WisPolitics reported on its budget blog.
“We’re disappointed on how the vote came out partisan after all this,” state Rep. Dana Wachs, D-Eau Claire, said Thursday afternoon. “This does not necessarily kill the project at this point, but it is disappointing. The budgetary process is not complete at all, but this is a setback.”
Wachs, who was lobbying Republican and Democratic colleagues alike on the measure before Thursday’s vote, said there’s still a possibility Confluence funding could be obtained via the state Building Commission. “We’ve just got to keep our chins up and keep going into the wind,” he said.
The proposed community-university Confluence performing arts center is slated to be built along Graham Avenue in downtown Eau Claire with a mixture of philanthropic, state, county, and city funds. Originally, backers had sought $25 million from the state, but they scaled down their plans after Walker offered $15 million in his budget proposal earlier this year. Currently plans call for a roughly $40 million performing arts center, but local funding was contingent on the state contribution.
According to WisPolitics, the Republican-passed motion would require the state Department of Administration to “consult with the developer and others and report back to the Building Commission on progress and if (the Confluence Project) continues to need state assistance.” The proposed spending would not be put in the current budget, although it could be placed in the 2017-19 state building program, WisPolitics reported.
The committee’s vote drew quick – and sometimes angry – reaction from Confluence supporters. On Twitter, Leader-Telegram Editor Don Huebscher, who has frequently editorialized in support of the project, wrote simply that the vote was “infuriating.” Meanwhile, Eau Claire City Councilwoman Catherine Emmanuelle tweeted that the vote was “upsetting to say the least,” but added, “We must keep eyes on longview. Eau Claire is (a) wise & resilient community.”
Last winter, Volume One and The Local Store launched a new series of limited-edition, vintage-style tees featuring the logos of famous former local businesses we all knew and loved. We called the series Local Legends, and YOU picked the first three tees we made - London Square, Kerm's, and Woo's Pagoda!
Well get ready, because we're launching another Local Legends tee this summer and once again, YOU get to choose the design! This new collection of contenders includes the top vote-getters that didn't make last year's cut, plus additional suggestions from members of our community. Basically, these ideas came from you, and now you get to pick the winner.
Go to our Local Legends page and vote for your THREE favorite options (and/or suggest additional t-shirt ideas). Voting enters you in a drawing for a $50 Local Store Gift Card! Include your email and we’ll let you know when the new tee is ready, just in case you want one. As is the case with all our tees, they'll be printed right here in Eau Claire, Wisconsin.
VOTE HERE: VolumeOne.org/legends